[Haiga Anthology]
0:00/1:34
Narrado por Jorge Obregón
Narrado por Jorge Obregón
Born in the city of Kyoto, Nakajima Kahō was a painter of the Maruyama-Shijō school (円山四条派), specializing in the bird-and-flower genre (kachōga 花鳥画), landscapes, and calligraphy. His calligraphic style is strongly influenced by Tomioka Tessai 富岡鉄斎 (1836–1924), a renowned painter of the bunjinga 文人画 tradition, under whom he studied.
Haiga 俳画 is a pictorial genre that, drawing from the aesthetic of haiku, blends poetry and painting. In many cases, poets themselves illustrated their haiku, so stylistic approaches varied greatly depending on each artist's individual preferences.
In this album, Kahō brings together fourteen haiku by well-known poets, each one illustrated and calligraphed by his own hand. This exhibition presents the final seven pieces from the series.
Born in the city of Kyoto, Nakajima Kahō was a painter of the Maruyama-Shijō school (円山四条派), specializing in the bird-and-flower genre (kachōga 花鳥画), landscapes, and calligraphy. His calligraphic style is strongly influenced by Tomioka Tessai 富岡鉄斎 (1836–1924), a renowned painter of the bunjinga 文人画 tradition, under whom he studied.
Haiga 俳画 is a pictorial genre that, drawing from the aesthetic of haiku, blends poetry and painting. In many cases, poets themselves illustrated their haiku, so stylistic approaches varied greatly depending on each artist's individual preferences.
In this album, Kahō brings together fourteen haiku by well-known poets, each one illustrated and calligraphed by his own hand. This exhibition presents the final seven pieces from the series.
Born in the city of Kyoto, Nakajima Kahō was a painter of the Maruyama-Shijō school (円山四条派), specializing in the bird-and-flower genre (kachōga 花鳥画), landscapes, and calligraphy. His calligraphic style is strongly influenced by Tomioka Tessai 富岡鉄斎 (1836–1924), a renowned painter of the bunjinga 文人画 tradition, under whom he studied.
Haiga 俳画 is a pictorial genre that, drawing from the aesthetic of haiku, blends poetry and painting. In many cases, poets themselves illustrated their haiku, so stylistic approaches varied greatly depending on each artist's individual preferences.
In this album, Kahō brings together fourteen haiku by well-known poets, each one illustrated and calligraphed by his own hand. This exhibition presents the final seven pieces from the series.